![]() ![]() ![]() On 20 June 2003, Senedd Member Helen Mary Jones publicly raised concerns that the song "glorifies violence against women". The Welsh Rugby Union regularly played the song at the Millennium Stadium before international matches, often displaying the lyrics on large screens. On 17 April 1999, Jones performed Delilah as part of the pre-match build-up to Wales' victory over England at Wembley Stadium in the 1999 Five Nations Championship. The song's popularity saw it become part of official matchday performances at Wales matches, especially those at the old National Stadium. "We sang Cwm Rhondda and Delilah damn, they sounded both the same". As early as 1971, Max Boyce's own hit song, Hymns and Arias referenced "Delilah" 's popularity alongside more traditional Welsh hymns: Shortly after its release, "Delilah" became an unofficial anthem in Welsh rugby. ‡ Sales+streaming figures based on certification alone. Italian Singles Chart ( Musica e Dischi) The US Billboard chart records its highest position as 15. It reached No 2 in the British charts in March 1968 and was the sixth-best selling single of that year. ![]() 1 in the charts of several countries, including Germany and Switzerland. The legal battle was settled out of court in 1986. In a two-year court case in the High Court of Justice, 1983 -M- No.1566, Barry Mason's ex-wife Sylvan Whittingham, the daughter of Bond film Thunderball screenwriter, Jack Whittingham, claimed she had written half the lyrics of "Delilah" and several other songs. Jones later described the proposed change as "such bullshit". When Jones performed the song on The Ed Sullivan Show, in 1968 the censors (unsuccessfully) attempted to insist that the line "At break of day when the man drove away" be changed to "At break of day I was still 'cross the way", as the original version implied he had spent the night with Delilah. ![]() He speaks of Delilah in possessive terms, but also refers to himself as her "slave." He asks his dead girlfriend to "forgive" him, but still clearly sees himself as having been wronged by her. The lyrics unfold from the killer's point of view, and are filled with his, often contradictory, emotions. He stabs her to death, and then waits for the police to come break down the door and arrest him. He waits outside all night, and then confronts her in the morning, only to have her laugh in his face. The song tells the story of a man who passes his girlfriend's window and sees her inside making love to another man. There are similarities to the plot of the opera Carmen by French composer Georges Bizet, in which the soldier, Don José, stabs gypsy girl, Carmen, to death when she tells him she is leaving him for another man. Flamenco was a surprising choice, since there is no reference to Spain anywhere in the song. Produced by Peter Sullivan, Jones' version features a big-band accompaniment set to a flamenco rhythm. Music and lyrics Īlthough the song is a soulful number set in triple metre, the underlying genre may be considered to be a power ballad, rising to a pitch of A4 on the final note. It earned Reed and Mason the 1968 Ivor Novello award for Best Song Musically and Lyrically. The lyrics were written by Barry Mason, and the music by Les Reed, who also contributed the title and theme of the song. " Delilah" is a song recorded by Welsh singer Tom Jones in December 1967. ![]()
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